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</head>
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<body>
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<h1>The Digital Audio Workbench</h1>
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<h1>The Digital Audio Workbench Tutorial</h1>
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<h4>Input Devices and Musical Interaction Laboratory (IDMIL) - <ahref="//www.idmil.org/">www.idmil.org</a>
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<br>McGill University, Canada.</h4>
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<small>
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<pstyle="margin-left: 40px">
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<i>
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By Josh Rohs, Travis J. West & Marcelo M. Wanderley<br>
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<small>with contributions by Eduardo Meneses, Christian Frisson, Erivan Duarte, Maxwell Gentili-Morin, and others.</small><br>
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Copyright IDMIL/McGill University, 2020-2021
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By Maxwell & Marcelo M. Wanderley<br>
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<small>based on the Digital Audio Workbench</small><br>
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Copyright IDMIL/McGill University, 2023-2023
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</i>
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</p>
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</small>
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<p>
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The Digital Audio Workbench aims to provide an accessible interactive
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platform for intuitively exploring key concepts in digital audio.
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The Digital Audio Workbench Tutorial aims take the groundwork laid out from the <ahref = "https://idmil.github.io/DigitalAudioWorkbench/">Digital Audio Workbench</a>
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and craft a series of tutorials that review the key concepts behind sampling and quantization.
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<br><br>
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Both <i>Time-</i> and <i>Frequency-domain</i> views of signals are presented,
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as well as audio rendering of parameter manipulation.
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<br><br>
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Numerous modular graphs are available, which can aid in
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teaching and studying issues such as aliasing, quantization,
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the effect of dithering, and more.
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This is an active project and will continue to have tutorials added weekly.
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