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Welcome to the repository of the digital monograph “Genre Analysis and Corpus Design: Nineteenth-Century Spanish-American Novels (1830–1910)”!
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This is the code and data of the HTML edition of the dissertation of Ulrike Henny-Krahmer,
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**Funding**: The Early-Career Research Group 'Computational Literary Genre Stylistics’ ([CLiGS](https://cligs.hypotheses.org/)) was funded by the German Federal Ministry of Education and Research (Bundesministerium für Bildung und Forschung) from April 2014 to March 2020 (funding identifiers 01UG1408 and 01UG1508). The Open Access publication of this monograph is funded by [DARIAH ERIC](https://www.dariah.eu/).
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**Dissertation:** Bei dem Werk handelt es sich um die Veröffentlichung einer Dissertation, die an der Graduiertenschule für die Geisteswissenschaften an der Julius-Maximilians-Universität Würzburg abgeschlossen wurde. Examiners: Prof. Dr. Christof Schöch, Prof. Dr. Fotis Jannidis, Prof. Dr. Hanno Ehrlicher
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**Dissertation:** Bei dem Werk handelt es sich um die Veröffentlichung einer Dissertation, die an der [Graduiertenschule für die Geisteswissenschaften](https://www.graduateschools.uni-wuerzburg.de/humanities/home/) an der Julius-Maximilians-Universität Würzburg abgeschlossen wurde. Examiners: Prof. Dr. Christof Schöch, Prof. Dr. Fotis Jannidis, Prof. Dr. Hanno Ehrlicher
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**Contact**: ulrike.henny (at) web (dot) de
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**Citation suggestion**:
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Henny-Krahmer, Ulrike. 2023. Repository of SIDE 17: Genre Analysis and Corpus Design. Nineteenth-Century Spanish-American Novels (1830–1910). v1.0.1. GitHub.com.
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Henny-Krahmer, Ulrike. 2024. Repository of SIDE 17: Genre Analysis and Corpus Design. Nineteenth-Century Spanish-American Novels (1830–1910). v1.0.1. GitHub.com. https://github.com/i-d-e/side17-html.
<caption style="caption-side:bottom">Table 1: Generic logics according to Schaeffer.</caption>
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<tr>
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for their description from a synchronic perspective. The boundaries between
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different text types, various conventional genres, and textual genres are
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not necessarily clear-cut. The overlap of text types and conventional genres
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can also take several forms. These problems are discussed in chapter <a href="#ch2.1.4">#ch2.1.4</a>, on categorization.</p>
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can also take several forms. These problems are discussed in chapter <a href="ch2.html#ch2.1.4">2.1.4</a>, on categorization.</p>
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<p id="p95"><span class="paracount w3-blue-grey w3-margin-right"><a href="#p95">95</a></span>With access to very large corpora of digital texts that, in
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theory, can cover whole periods or several periods of literature, digital
Looking into the TEI collection on GitHub (e.g., <a href="https://github.com/cligs/theatreclassique/blob/master/tei/tc0001.xml">https://github.com/cligs/theatreclassique/blob/master/tei/tc0001.xml</a>,
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accessed November 28, 2020), it can be noticed that there is a general
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subgenre assignment in the TEI header (<code><span style="color: #000096;"><term</span> <span style="color: #f5844c">type=</span><span style="color: #993300;">"genre"</span><span style="color: #000096;">></span>Comédie<span style="color: #000096;"></term></span></code>), but no further information
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about its provenience is given. As Schöch mentions the historical
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subgenre labels in his text, it can be assumed that these are the source.
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The classification of works into dramatic subgenres is probably less
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debated than into subgenres of the novel. Likely, dramatic subgenre
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labels are also more often explicitly given on title pages than in the
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case of novels. Still, it would be better to make the generic convention
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that is analyzed more explicit because it makes a difference whether
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labels assigned by librarians or literary historians or genre labels from
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the historical paratexts of the works are used.</div>
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subgenre assignment in the TEI header (<code><span style="color: #000096;"><term</span> <span style="color: #f5844c">type=</span><span style="color: #993300;">"genre"</span><span style="color: #000096;">></span>Comédie<span style="color: #000096;"></term></span></code>), but no further information about its
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provenience is given. As Schöch mentions the historical subgenre labels
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in his text, it can be assumed that these are the source. The
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classification of works into dramatic subgenres is probably less debated
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than into subgenres of the novel. Likely, dramatic subgenre labels are
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also more often explicitly given on title pages than in the case of
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novels. Still, it would be better to make the generic convention that is
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analyzed more explicit because it makes a difference whether labels
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assigned by librarians or literary historians or genre labels from the
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